Charles Bronson was a DIY punk rock band of the “powerviolence” micro-genre formed in 1994. Before the eventual dissolution of the band in 1997, they were often associated with the “straight-edge” movement due to their lyrical content that often leaned toward associated themes, but ironically only two of the members abstained from the usage of drugs and alcohol. The band named themselves after the famous Hollywood action star, and became known for sampling sound clips from various films, many of which he starred in.
Stylistically, the band is an even more aggressive example of the 90’s DIY hardcore scene, often employing breakneck tempos and a very harsh, often indecipherable vocal style. The lyrics themselves in many songs are often found as satirizing the entire movement as a whole, and other times coming across as more of a ranting style. Like other songs from this scene, they are generally between 30 seconds to two minutes in length. Their albums generally used similar artwork, each of them featuring a still of Charles Bronson from one of his films on the front; the titles shown on the cover on all of their studio albums all read plain and simply as “Charles Bronson” (though all being titled and referred to differently), with the exception of their “Youth Attack” album. They also did various split albums (half their material and half of another band) with groups like “Spazz,” “Quill,” and “Ice Nine.”
Though not as memorable as many of the other bands of this era, their implementation of audio sampling and satirical content were noteworthy additions to the scene. Band member Mark McCoy would eventually form the group Holy Molar with members of The Locust (including the famed Justin Pearson).

By  T. R.

 

Black Flag is well known for its punk influence and DIY ethics.  Established by Greg Ginn in 1976, Black Fag is one of the first hardcore punk bands of the 80’s.  With lyrics voicing elements of social isolation, psychosis, poverty and anxiety, Black Flag illustrates an anti-authoritarian and non-conformist message. The Black flag label symbolizes anarchy, the opposite of a white flag, representing surrender. Greg Ginn, leading songwriter and guitarist, founded the Black Flag and was the longest lasting member.  Greg Ginn formed an independent record label in 1978, and the company was called the Solid State Transmitter (SST). The company sold electronics equipment, and they released music for the band. Black Fag is widely considered to provide a foundation for the Do-It-Yourself ethic, as SST was exclusively independent, and set the trend for other emerging punk bands.  Music writer Michael Azerrad wrote, “Ginn took his label from a cash-strapped, cop-hassled store-front operation to easily the most influential and popular underground indie of the Eighties”.   SST was the epitome of DIY, and demonstrated tireless work ethic and commitment to music. In 1976, Black Flag organized their own gigs, and played in picnics, house parties, and schools. They set up advertizing flyers and contacted club owners to arrange shows, another prime example of DIY.  Vocalist Henry Rollins became vocalist in 1981, and was heavily involved in poetry.  After Henry joined, Black Flag produced their full-length album “damaged”, containing personal and emotional lyrics, illustrating an anti-establishment mentality.  Black Flag went on tour with this album, establishing an independent touring network.

Black Flag was well known for its destructive fans, as the LAPD and Hollywood rock clubs blacklisted the band.  Singer Henry Rollins would often engage in fights with the audience, and their fan base supported the anti-police mentality. The album “damaged” contained lyrics such as “This fucking city is run by pigs, they take the rights away from all the kids”, an outward battle against the justice system. Other lyrics, such as “society’s arms of control, rise above” further demonstrate their negative outlook towards societal structures, and encourage the fans to rebel against the system. Black Flagged peaked between 1984-85, continuing their anarchist lyrics and DIY gigs, and eventually broke up in 1986. Black Flag is considered the pioneers of the DIY label, while influential bands such as Bad Brains, the Minuteman, Descendents, Meat Puppets, Soundgarden, and Sonic Youth released recordings under SST. In addition, Damaged was included in Rolling Stone’s magazine 500 greatest albums of all time in 2003. Clearly, Black Flag played a significant role in establishing the DIY ethic, and its punk rock legacy continues throughout the present.

 

Here is a video of one of their gigs, illustrating their raw performance, and engaging relationship with their fans: http://www.youtube.com/watch?v=d5ZKEuRrR3E

 

In this video, Henry Rollins gets involved in a fistfight with one of his fans:

http://www.youtube.com/watch?v=b4uahL_tQWc

By  A. P.

 

The Casualties are a punk rock band out of New York City that started in 1990. As they performed at smaller venues around town they started to gain a following there and in surrounding cities.  The band has been a strong lasting force within the punk scene since they first started playing. Over the years the band has constantly been changing members and since 1990 the only remaining member is Jorge Herrea the lead vocalist. Over the years the band has changed members over 12 times and this does not take into account the number of times members from other bands have stepped in to play a few shows for member that have other engagements. The band has released on average roughly an EP, studio album or live album every two years. That is a huge accomplishment for a band that is usually off touring the world. In 1996 they were asked to play in London at the “Holiday in the Sun” festival; they were the first American band ever asked to play there. This was a large accomplishment for a small band out of New York City. The band is described as, “authentically angst-ridden for all the right reasons with a dash of ska and a healthy dose of old school thoroughbred Mohawk having, tatted, studded, hardcore punk. They are the real deal.” (Examiner.com). The band has a strong following in South America, where they tour a lot of the time. The fans in South America, as Jake (the drummer) explains, reminds them why they signed up for the job they have. The fans down there are hardcore and destructive, they are some of the loudest fans they have ever had and they go all out at The Casualties’ shows.  The Band continues to put out records to date, and often their lyrics are condemning the way the world is now a days. With lyrics about world pollution, “Look at mankind our planet poisoned and diseased/past generations raped it with their greed/yet we still destroy all the oceans and pollute the sky’s/ what’s left for our future, nothing but extinction.” They want to make a point with their music and get through to their fans and others on important topics. The Casualties ability to stay current and continue to make music allows for them to continue putting out records and filling up venues today, and probably for years to come.

Useful Links:

Interview with Jake:

http://www.youtube.com/watch?v=b4c5-2vyX38&feature=related

Myspace

By C. B.

D.O.A is a prominent hardcore band out of Vancouver British Columbia. This band started in 1978, after Kiethley’s original band, The Skulls, broke up.  They are considered, along with bands like Black Flag, Bad Brains, and Minor Threat, to be one of the founding bands of hardcore punk(D.O.A. (band)). The original line up consisted of Joey “Shithead” Keithley on guitar and vocals , Charles “Chuck Biscuits” Montgomery on drums, and Randall Archibald or Randy Rampage on bass and vocals. With a later addition of David Gregg in 1980. Their early sound is described as, “basic, raw singalong melodic punk rock, with a lot of similarity to early punk bands like The Sex Pistols and the early albums by The Clash and The Ramones”(D.O.A. (band)). In 1980, along with the addition of a new guitarist they put out their first full length album “Something Better Change” with Can. Friends Records. Which was quickly followed by their album Hardcore 81. With this album the band experienced a change in their sound. Their music in this album is described as “faster, more powerful, and more dynamic.” Everything about this album seemed to lean toward a new kind of punk rock music, and a new wave of thinking within the industry. The album itself was produced in about a week (Keithley, 95), suggesting a sense of urgency in sharing their message.

The album Hardcore 81 is largely credited for being the first actual reference to the second wave of American punk sound, and also the origin of its namesake. Keithley says in his book I, Shithead: A life in punk that “the term ‘hardcore’ seemed to encapsulate the spontaneity, energy, and rebellion of the scene. The ideals we took from this were these… Think for yourself, don’t back down, change your world, and be free” (Keithley, 96). They promoted the name “Hardcore punk” as well as a do-it-yourself attitude.

From 1982 onward the band experienced a number of line up changes, especially in the late 90’s. In 1995 the bands drummer, Ken Jensen, died in a house fire. After the loss of their friend the band found itself experimenting with different drummers and bassists. Keithley remains the only constant throughout. The band was in operation throughout the 90’s putting out the records Murder, The Last Scream of the Missing Neighbours, 13 Flavours of Doom, Loggerheads, The Black Spot, Festival of Atheists, three compilation albums, one live album, and a number of singles, 7”’s, and EP’s. Also, 1998 was the year Keithley’s independent record label became a full time label. Keithley says, “I first started Sudden Death Records in 1978, as a way to put out the first D.O.A. record, the 7″ EP “Disco Sucks”. We knew way back then that nobody was going to come along and hand us a big fat cushy record deal. We knew we would have to fight for everything that we got. So that’s what we did, D.I.Y. Do It Yourself man!” Despite the labels start in 1978 the band often put out records with Can. Friends Records, Alternative Tentacles Records, and a few others. They released the album War on 45, as a collaborative effort with Alternative Tentacles in 1982, but it wasn‘t until later that they actually put out a full album on their own. Sudden Death Records now lists 27 artists in association with the label, including D.O.A. They have only singed less prominent artists, and also do not affiliate themselves with larger conglomerations. Now Keithley spends most of his time playing for D.O.A. and working on Sudden Death Records. He also released a book in 2003 titled I Shithead: A life in punk, which he released with Arsenal Pulp Press, an independent company out of Vancouver. He, and the band continue to live by the motto Talk-Action=0. The band has “played benefits for Rape Relief, anti-racism, rock-for brains, anti-globalization, OXFAM, first nations rights, anti censorship and environmental causes amongst many others”(Sudden Death Records, D.O.A.). They truly embody the spirit of DIY Hardcore punk.

 

By K. N.

This is footage from a great hardcore band called Orchid. Not that anyone will be able to make much out of the lyrics, but they are often inspired by critical and literary theory. In many cases, the lyrics are generally introspective. Orchid stands out from other punk bands of the late nineties because their music was not nearly as focused on politics as some of their peers were. They were not alone in their deviation from many typical themes in punk music though and were in fact part of the emotive hardcore(aka: screamo) wave that was a continuation of a similar wave in the later part of the eighties. To be brief, the bands in these waves opposed the increasingly safe macho attitude that was becoming synonymous with punk music by expressing emotions that went beyond anger or frustration at mainstream culture, such as alienation from peers and existential angst. Orchid also criticizes ideas within various schools of philosophic thought, as well as peers who superficially adhere to these schools of thought for the sake of social status.

The level of intimacy present in the footage between the band and audience is difficult to ignore at best. This level of intimacy is not uncommon in among hardcore punk bands, but for this particular show and band, it strikes me as more meaningful because the songs performed are often very personal. The show is not just a final concert, but a farewell between friends in a sense because a gap has been bridged between fans and the band because of the private and often profound expressions of the band. That is what I find particularly enthralling about many emotive hardcore and early emo bands: they seek to express common, but often unacknowledged aspects of the human experience. Some of such events might be what one experiences following a parting ways with a longtime partner or the subtle alienation and disdain one might feel for others, who are supposed to be like-minded peers or colleagues.

While my appreciation of this footage is certainly biased, anyone who tolerates (or appreciates) such a brand of music may pick up on a certain “vibe”. Their set does not boast technical perfection or the comparatively polished sound in their albums. The vocals often crack and screams will fade prematurely; a member of the audience getting too close and jarring the singer or his voice simply failing. In a sense, the charm comes from how candid the set is: a gig in a convenient and trashy-looking venue, that is packed to capacity, with no stage, roadies or barrier to distance the audience from the band and all the while, the band is performing songs that are nearly diary entries and showing their gratitude to their audience by playing the proverbial shit out of those songs.

 

By  A. B.

Not long ago I met the Hippiecritz through a friend. They are a four member punk band from Kelowna who formed in 2003, consisting of Skye ‘Skidley Bones’ Bryant, Jamie ‘Max Prophet’ clark, Roy ‘Mr. Awesome’ Robins and Bryan ‘Shake n Bake’ St. Germain.  They use rhythm guitar, lead guitar, drums and bass (with the occasional harmonica). Over the years the band has gone through three drummers and four bass players while Jamie and Skye remaining as originals.The first bass player was the one to come up with the name about 8 years ago. It is a play on words as ‘everyone is a bit of a hypocrite’ and they believed it would be a good punk name.

They call their genre punk rock, mixed with old school rock and roll. It started off as drunk punk sprinkled with politics, then it progressed to alcoholism. Over the years, the band has evolved. Skye was 19 when he started the Hippiecritz but over the years has realized you need to take responsibility. “No one is going to take care of you but yourself,” he says “you just need friends to pick you up every once and while.” Skye writes all the songs and says the style changed about three years ago because he was sick of singing about alcohol. He now writes songs about life, the good times and hard times. He is especially proud of their new song ‘Band Together’ which is about the recession in Kelowna. Song writer influences include Tom Waits, Joe Strummer, Tim Armstrong, Social Distortion, Johnny Cash and The Ramones.

They enjoy their genre because it is fun, exciting and energetic. They never know what is going to happen in a show. Roy also points out that it is a close community, where bands help each other with tours and support. The Hippiecritz have done five tours, making it as far as Manitoba. They have not made it further because they do not have enough connections and usually make just enough money for gas. On one 3 week tour of B.C., they were traveling with two other bands. Thirteen people on the road and as many as nine in the van.

The Hippiecritz produce all their own albums with their most current one having been mastered and mixed professionally (with their own finances). Roy believes that major labels are ‘another form of bank loaning’ as musicians will get a label, sell albums, yet owe the label almost everything. Roy believes you should do it yourself or find a label you trust (epitaph or crusty records for example). The Hippiecritz enjoy DIY because they can be on their own schedule while selling their music and merch for the price they want. They make their own C.D.s, T-shirts, posters, logos etc. Roy has “Mr. Awesome” self tattooed across his chest and Skye has the Hippiecritz logo tattooed onto his ankle (designed by their friend, Scott Lee).

They say they feel happy and alive when they are playing, getting a high that takes awhile to come down from. “Nothing compares to being on stage with your best mates”, says Roy. Their biggest challenge as a band has been booking tours and finding venues, especially for gigs out of town, as they ‘do not have the right tools or connections’.

Ultimately they would like to ‘make it’, be able to play music every night for a job. As Skye says, “We are still going to be playing music everyday till we die, it would just be nice to get recognized for it and get paid for it”.

The Hippiecritz are performing as part of the “Liquor Store Tour” on the 19th February in Kamloops.

Video Interview coming soon.

By R. T.

One Eyed God Prophecy was a political crusty, grindcore, hardcore band influenced by artists like Rorshach, Econochrist, Born Against, and Shotmaker.

The band was formed in Sherbrooke, Quebec in 1995 and with Dom Poulin, Seb Philbert, Alex Bibeau, J-P Dionne and Ugo Desgrenier.  Committing themselves to the DIY ethic, they practiced and performed their first shows in guitarist, Ugo Desgreniers’s shed.  Their philosophy was simple, to have fun and stay true to their emotions and feelings.  In doing so, they produced music which had “barely audible voices… only to symbolize that all governments, aristocrats or any strong head leaders will never hear about us and/or our whinings.”

Opting to perform in smaller venues where they were a part of the audience, One Eyed God Prophecy was signed to the independent record label, The Great American Steak Religion after Yannick Lorraine heard them practice.  They embarked on a six-week tour across Canada and the US in their 1976 orange “hippie van,” to promote their first self-titled LP.  The tour was deemed a huge success, not only because the band cultivated a cult-following, but by their scandalous promotion strategies.  They scribbled flyers and posters which advertised that One Eyed God Prophecy had ex-members from Union of Uranus – a publicity stunt that was used to attract more people to their shows.

One Eyed God Prophecy disbanded shortly after their tour and never released a second album.  In 2001 however, a friend of the band made a homemade discography.  While this CD was meant for his own use, there was enough demand from others for him to make 100 additional copies.  This discography contained the seven songs from the LP in addition to two live sets (from CFLX Studio and Birdhouse).

Websites:

http://www.youtube.com/watch?v=agtBlc2on8Y http://www.lyricsmania.com/end_of_the_story_lyrics_one_eyed_god_prophecy.html http://musicfortherestofus.blogspot.com/2007/05/one-eyed-god-prophecy-discography.html

http://en.wikipedia.org/wiki/The_Great_American_Steak_Religion

http://www.last.fm/music/One+Eyed+God+Prophecy

http://goodnoisycore.blogspot.com/2009/08/one-eyed-god-prophecy-self-titled-1995.html

http://www.last.fm/music/One+Eyed+God+Prophecy/+images

http://burningdowndreams.blogspot.com/2007/08/one-eyed-god-prophecy-self-titled-lp.html

http://www.metalorgie.com/groupe/One-Eyed-God-Prophecy

 

By R. S.